摘要:
"Nanjing Massacre" is an eternal national pain in modern Chinese history. It has caused great spiritual trauma to the Chinese nation and is one of the driving forces for the Chinese people to strive for strength. With the establishment of the memorial day of the victims of the Nanjing Massacre as the national public memorial day and the declaration of World Memory Heritage by The Archives of the Nanjing Massacre. The Nanjing massacre has transformed from a painful historical event of the Chinese nation into a national memory, and has gradually become a collective cultural trauma in the field of literature. In recent years, a large number of empirical diaries and interviews about the Nanjing Massacre published one by one, which has triggered a new understanding of this creative theme in the literary and film circles. This kind of literary reproduction is a new research direction in the current academic circles. From the level of national spiritual trauma, it is of great academic value. This paper focuses on the process of the sublimation of this event which it from history to literature. It aims to explore the problems faced in the literary reflection of the Nanjing Massacre, such as the individual writing in the collective event and the acceptability of the receiver to the literary rewriting, in order to seek the theoretical system and methodology of literary criticism of the literary writing of the Nanjing Massacre.